Saturday, June 23, 2012

Am I My Kitchen?


A couple of blogs ago I spoke about my kitchen renovation and how I was moving to a more 'grown-up' version of the domestic hub … well, it's finished now and I absolutely love it!

It's only when I see pictures of my former kitchen that I experience tiny pangs of sadness—after all, what I had before was clearly one-of-a-kind. 
Now that the vibrant primaries--blues, reds and yellows--have been unceremoniously carted off to the local landfill site, many people are finally admitting to me that they're pleased it's finally gone, or that they couldn't believe I'd put up with it all these years. I think there may be some who wonder how I'd managed to feed my family with those cabinet doors as the backdrop to our meals, or whether I'd every had real adults over for real dinner parties. 

These are the same 'friends' who used words like 'interesting' and 'different' to describe my former kitchen and who used to say flattering(?) things like: 'this kitchen really suits your personality'. Now I have to wonder what they really meant by that? And does a custom-fitted, cherry wood kitchen with a tumbled stone back splash and a sink that no longer leaks still 'suit my personality', or has my personality changed too?

'It must be great to have a proper kitchen now,' remarked a not-so-distant relative; I don't know how to respond to that … after all, I have the same refrigerator, the same oven, the same questionable wooden spoons, the same sticky recipe books and, definitely, the same culinary abilities. If I'm perceived as now performing in a more credible setting, am I expected to produce more credible 'n edible food to boot! Time will tell.

Meantime, I'm really enjoying the new space and spend quite a bit of time twirling contentedly on my fabulous new counter stools amazed that it's really all mine and that I'm not simply a guest in someone else's grown-up house.

Monday, June 4, 2012

'Value' is in the Heart of the Beholder



Earlier this month, I, along with three other talented artists, decided to get together, empty out our studios, slash prices and make our work more attractive and available to loyal patrons and new customers at a special two-day sale event.
The public response exceeded our expectations leaving us, the artists, with the space, confidence and motivation to begin new work projects as soon as possible. For our fans and clients, it was a fabulous opportunity for them to see and/or purchase our work at attractive prices in an upbeat and happy environment and to take their purchases home to enjoy for a very long time—a win-win situation many would say.
However, among the artist population, there is always a discernible wriggle and a squirm when someone suggests 'discounting' art prices. Several artists, who declined my invitation to participate, felt that a 'sale' event would devalue their work. I suppose that if 'value' is measured only in dollars, they would be correct, but that would represent a very narrow and limited point of view.
The experiential value of art cannot be weighed or measured. There is the immense value of the work from the artist's perspective … the creation, the execution, the satisfaction and the sheer delight experienced when someone else also appreciates and loves the work enough to make room for it in his or her home.
Those who attended our sale and bought work marched out of the venue with one, two and sometimes even three new pieces of art and smiles on their faces knowing that the enjoyment of their new acquisitions was only just beginning. I doubt anyone went home feeling they'd chosen something of lesser value simply because the number on the price tag was lower than usual.
Not only that but we, the artists, got to meet and chat with the new owners of our work and they in turn had the opportunity to engage with the artists while enjoying a fabulous selection of professional art in a very relaxed setting. I highly doubt that many of our patrons would have purchased multiple pieces of 'full-priced' art in one fell swoop under normal circumstances and, even if they had, I'll bet the experience would have been fraught with considerably more angst and trepidation.
Even for those among us who can't help but see 'value' as an accounting entry, let's not forget that in a small community, once our artwork has done the rounds from gallery to café to doctors' waiting rooms and finally all the way home again, our marketing options are geographically and logistically limited. Where's the value in artwork propped up against the wall in one of our personal studios where no one else can see, enjoy or experience it?
Of course, an artist can always market his or her work further afield. However, the costs in terms of time, energy and dollars spent to promote it, line the jurors' palms with silver, manage inventory, pack it, ship, or deliver it and fork out sales commissions are obviously added to the price tag of a piece of work, but this rarely contributes to the artist's bottom line and definitely does nothing to elevate the intrinsic 'value' of the work.
We four artists had a great time putting on this event, getting to know one another as well as interacting with clients and potential customers. Our combined talents, passions and respect for the value of our work made the Second (Non-Annual) Fantastic Art Sale the rewarding experience it was and at no time was the intrinsic value of our work or dedication to our craft compromised or diminished in any way.
Thank you to everyone who supported the event! Stay tuned for new and exciting work from Kate Bridger, Sue Parr, Marilyn McCombe and Tea Preville …